1632-1705 Italian Luca Giordano Gallery Charles II of Spain towards 1687 invited him over to Madrid, where he remained for 10 years (1692-1702). In Spain, he produced works for the Royal Palace of Madrid, the Buen Retiro palace, El Escorial, Toledo, and other sites. Giordano was popular at the Spanish court, and the king granted him title as a "caballero". One anecdote of Giordano's speed at painting is that, he was once asked by the Queen of Spain what his wife looked like. On the spot, he painted his wife into the picture before him for the Queen. In Spain he executed numerous works, continuing in the Escorial the series commenced by Cambiasi, and painting frescoes of the Triumphs of the Church, the Genealogy and Life of the Madonna, the stories of Moses, Gideon, David and the Celebrated Women of Scripture, all works of large dimensions. His Dream of Solomon (1693, now at Prado) dates from this period. His pupils, Aniello Rossi and Matteo Pacelli, assisted him in Spain. In Madrid he worked more in oil-colour, a Nativity there being one of his best productions.  Related Paintings of Luca Giordano :. | The Resurrection | The Fall of the Rebel Angels | The Death of Seneca | The Forge of Vulcan | The Forge Of Vulcan |
Related Artists:
William Thompson Bartoll
American, 1817-1857
Etienne Billet
French, born 1821.
Kiprensky, Orest
Russian Painter, 1782-1836 Russian painter and draughtsman. The leading Russian portrait painter of the Romantic period, he was the illegitimate son of the landowner A. D'yakonov and was adopted by his serf, Adam Shval'b and granted his freedom at birth. His surname is unconnected with that of either his real or his adoptive father, and its origin is uncertain. In 1798 he was sent to the St Petersburg Academy of Arts, eventually studying history painting under Gabriel-Francois Doyen and Grigory Ugryumov. In 1805 he received an important gold medal for his painting Dmitry Donskoy on the Field of Kulikovo (St Petersburg, Rus. Mus.) and won the right to travel to Italy on a scholarship. He did not, however, do so immediately, because of the tense political situation in Europe. Kiprensky's history painting was in keeping with the patriotic mood of Russian society during the years of the war against Napoleon.